>> Ebook Police Oral Boards: How to make yourself the candidate that stands out, by Sgt. C. R. Reyna

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The Police Oral Board is a nerve wracking process that can make or break a police candidate. Use the tips enclosed in this book to make yourself stand out from the crowd. Find information on types of questions that will be asked of you, how to present yourself, and follow up questions that you should ask of the board.

• Sales Rank: #346630 in eBooks
• Published on: 2015-09-20
• Released on: 2015-09-20
• Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
good suggestions
By GyeltsenDorje
This book is straight to the point and exactly what you need when looking for information about oral boards. It gives you an idea of what the panel of judges is looking for and how to word your answers. Good read for those interested.

1 of 1 people found the following review helpful.
straight forward
By Matt V.
Straight forward and no fluff. Exactly what I was looking for. Other books speak too much to appearance. That's obvious, what we need are questions. This had it

1 of 1 people found the following review helpful.
Very useful
By M. Himed
The answers to the questions are perfectly clear and would help any potential recruit to a law enforcement agency today.

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** PDF Download Countdown to Zero Day: Stuxnet and the Launch of the World's First Digital Weapon, by Kim Zetter

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Top cybersecurity journalist Kim Zetter tells the story behind the virus that sabotaged Iran’s nuclear efforts and shows how its existence has ushered in a new age of warfare—one in which a digital attack can have the same destructive capability as a megaton bomb.
 
In January 2010, inspectors with the International Atomic Energy Agency noticed that centrifuges at an Iranian uranium enrichment plant were failing at an unprecedented rate. The cause was a complete mystery—apparently as much to the technicians replacing the centrifuges as to the inspectors observing them.
 
Then, five months later, a seemingly unrelated event occurred: A computer security firm in Belarus was called in to troubleshoot some computers in Iran that were crashing and rebooting repeatedly.
 
 At first, the firm’s programmers believed the malicious code on the machines was a simple, routine piece of malware. But as they and other experts around the world investigated, they discovered a mysterious virus of unparalleled complexity.
 
They had, they soon learned, stumbled upon the world’s first digital weapon. For Stuxnet, as it came to be known, was unlike any other virus or worm built before: Rather than simply hijacking targeted computers or stealing information from them, it escaped the digital realm to wreak actual, physical destruction on a nuclear facility. 
 
In these pages, Wired journalist Kim Zetter draws on her extensive sources and expertise to tell the story behind Stuxnet’s planning, execution, and discovery, covering its genesis in the corridors of Bush’s White House and its unleashing on systems in Iran—and telling the spectacular, unlikely tale of the security geeks who managed to unravel a sabotage campaign years in the making.
 
But Countdown to Zero Day ranges far beyond Stuxnet itself. Here, Zetter shows us how digital warfare developed in the US. She takes us inside today’s flourishing zero-day “grey markets,” in which intelligence agencies and militaries pay huge sums for the malicious code they need to carry out infiltrations and attacks. She reveals just how vulnerable many of our own critical systems are to Stuxnet-like strikes, from nation-state adversaries and anonymous hackers alike—and shows us just what might happen should our infrastructure be targeted by such an attack.
 
Propelled by Zetter’s unique knowledge and access, and filled with eye-opening explanations of the technologies involved, Countdown to Zero Day is a comprehensive and prescient portrait of a world at the edge of a new kind of war.

• Sales Rank: #22065 in Books
• Published on: 2015-09-01
• Released on: 2015-09-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .90" w x 5.10" l, .75 pounds
• Binding: Paperback
• 448 pages

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52 of 55 people found the following review helpful.
Excellent, Fascinating Read
By Matt Morgan
Being in the IT field (in particular working with OS design and administration) I took an interest when Stuxnet came to light a few years back. The last time I remembered such a stir created in the media about propagating malware was when the Morris worm surfaced in the late 1980’s. I did not know too much about Stuxnet other than what was shared in news reports so I was eager to learn more. This book definitely delivers the goods.

Instead of a dry, factual presentation that just leaves the reader bored, this book reads more like a novel – except that it’s true. It starts with a fascinating account of how Stuxnet was first discovered and describes in some detail how it exploited the operating system, what mechanisms it used to replicate itself, how it targeted the systems it was designed to find and it gives a fair estimate of just how much damage it caused before it was ultimately uncovered. The book goes on from there to discuss the implications Stuxnet has had on the digital world and how it has helped to redefine modern warfare.

The main text is written very much like a novel, but it makes heavy use of footnotes. These footnotes inject interesting facts relating to the point being made but would otherwise mar the chain of thought for the reader. This was a smart editing decision as it makes taking the side tracks optional.

One thought kept coming to mind as I got deeper into the material and learned more about the birth of this malware and how it all came into being – I had absolutely no clue just how deep the rabbit hole went, both militarily and politically.

For those interested in cybersecurity, those with an interest in electronic warfare or even those who are just downright curious about what is without question the most complex and sophisticated digital weapon known to date, this book is full of interesting information and because it’s written almost like fiction it’s a fast and engrossing read.

25 of 25 people found the following review helpful.
Excellent telling of a very complex story
By Adam Caudill
I know quite a few of the researchers that were involved in reverse engineering Stuxnet and Flame - so I was able to watch the story unfold with a behind the scenes view - what's presented in here is a very accurate, and insightful view of one of the most important security discoveries in recent years.

Stuxnet, et. al. presented the security industry with a huge problem - and the implications are still being sorted out to this day. Government use of malware, and how the industry should handle it when discovered are topics that are still being debated on a daily basis. Kim does a great job on explaining the issues, and giving readers plenty to think about.

From a technical perspective, the book goes into enough detail so that those of us familiar with the topic know exactly what is being discussed and it's implications, while not going overboard and overloading non-technical users with incomprehensible details. The book has a good narrative style, while covering technical detail and including details on the sources for information. Throughout the book are footnotes that list source information, additional notes that explain context, or provide additional details that don't fit in the narrative telling - I strongly suggest that you read the footnotes, as they offer very useful information.

All in all, I strongly recommend the book, well worth it.

29 of 31 people found the following review helpful.
You won’t be able to put down this outstanding narrative about Stuxnet
By Ben Rothke
A word to describe Takedown: The Pursuit and Capture of America's Most Wanted Computer Outlaw was hyperbole. While the general storyline from the 1996 book was accurate, filler was written that created the legend of Kevin Mitnick. This in turn makes the book a near work of historical fiction.

Much has changed in nearly 20 years and Countdown to Zero Day: Stuxnet and the Launch of the World's First Digital Weapon has certainly upped the ante for accurate computer security journalism.

The book is a fascinating read and author Kim Zetter's attention to detail and accuracy is superb. In the inside cover of the book, Kevin Mitnick describes this as an ambitious, comprehensive and engrossing book. The irony is not lost in that Mitnick was dogged by misrepresentations in Markoff’s book.

For those that want to know the basics about Stuxnet, its Wikipedia entry will suffice. For a deeper look, the book take a detailed look at how the Stuxnet worm of 2010 came to be, how it was written, discovered and deciphered, and what it means for the future.

The book provides nearly everything that can be known to date about Stuxnet. The need to create Stuxnet was the understanding that a nuclear Iran was dangerous to the world. The book notes that it just wasn’t the US and Israel that wanted a nuclear-free Iran; Egypt and Saudi Arabia were highly concerned about the dangers a nuclear Iran would bring to the region.

What is eminently clear is that Iran chronically lied about their nuclear intentions and actions (chapter 17 notes that former United Kingdom Prime Minister Gordon Brown told the international community that they had to do something over Iran’s serial deception of many years) and that the United Nations International Atomic Energy Agency (IAEA) was powerless to do anything, save for monitoring and writing reports.

While some may debate if Stuxnet was indeed the world's first digital weapon, it’s undeniable that it is the first piece of known malware that could be considered a cyber-weapon. Stuxnet was unlike any other previous malware. Rather than just hijacking targeted computers or stealing information from them, it created physical destruction on centrifuges the software controlled.

At just over 400 pages, the book is a bit wordy, but Zetter does a wonderful job of keeping the book extremely readable and the narrative enthralling. Writing about debugging virus code, descriptions about the Siemens industrial programmable logic controllers (PLCs) and Step7 software (which was what Stuxnet was attacking) could easily be mind-numbingly boring, save for Zetter’s ability to make it a compelling read.

While a good part of the book details the research Symantec, Kaspersky Lab and others did to debug Stuxnet, the book doesn’t list a single line of code, which makes it quite readable for the non-programmer. The book is technical and Zetter gets into the elementary details of how Stuxnet operated; from reverse engineering, digital certificates and certificate authorities, cryptographic hashing and much more. The non-technical reader certainly won’t be overwhelmed, but at the same time might not be able to appreciate what went into designing and making Stuxnet work.

As noted earlier, the book is extremely well researched and all significant claims are referenced. The book is heavily footnoted, which makes the book much more readable than the use of endnotes. Aside from the minor error of mistakenly calling Kurt Gödel a cryptographer (he was a logician) on page 295, Zetter’s painstaking attention to detail is to be commended.

Whoever wrote Stuxnet counted on the Iranians not having the skills to uncover or decipher the malicious attacks on their own. But as Zetter writes, they also didn’t anticipate the crowdsourced wisdom of the hive – courtesy of the global cybersecurity community that would handle the detection and analysis for them. That detection and analysis spanned continents and numerous countries.

The book concludes with chapter 19 Digital Pandora which departs from the details of Stuxnet and gets into the bigger picture of what cyber-warfare means and its intended and unintended consequences. There are no simple answers here and the stakes are huge.

The chapter quotes Marcus Ranum who is outspoken on the topic of cyber-warfare. At the 2014 MISTI Infosec World Conference, Ranum gave a talk on Cyberwar: Putting Civilian Infrastructure on the Front Lines, Again. Be it the topic or Marcus being Marcus, a third of the participants left within the first 15 minutes. They should have stayed, as Ranum, agree with him or not, provided some riveting insights on the topic.

The book leave with two unresolved questions; who did it, and how did it get into the air-gapped Nantanz enrichment facility.

It is thought the US with some assistance from Israel created Stuxnet; but Zetter also writes that Germany and Great Britain may have done the work or at least provided assistance.

It’s also unknown how Stuxnet got into the air-gapped facility. It was designed to spread via an infected USB flash drive. It’s thought that since they couldn’t get into the facility, what needed to be done was to infect computers belonging to a few outside firms that sold devices that would in turn be connected to the facility. The book identified a few of these companies, but it’s still unclear if they were the ones, or the perpetrators somehow had someone on the inside.

As to zero day in the title, what was unique about Stuxnet is that it contained 5 zero day exploits. Zero day is also relevant in that Zetter describes the black and gray markets of firms that discover zero-day vulnerabilities who in turn sell them to law enforcement and intelligence agencies.

Creating Stuxnet was a huge challenge that took scores of programmers from a nation state many months to create. Writing a highly readable and engrossing book about the obscure software vulnerabilities that it exploited was also a challenge, albeit one that few authors could do efficaciously. In Countdown to Zero Day: Stuxnet and the Launch of the World's First Digital Weapon, Kim Zetter has written one of the best computer security narratives; a book you will likely find quite hard to put down.

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^ Download City of Bones (The Mortal Instruments), by Cassandra Clare

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Discover the world of the Shadowhunters in the first installment of the internationally bestselling Mortal Instruments series and “prepare to be hooked” (Entertainment Weekly)—now with a gorgeous new cover, a map, a new foreword, and exclusive bonus content! City of Bones is a Shadowhunters novel.

When fifteen-year-old Clary Fray heads out to the Pandemonium Club in New York City, she hardly expects to witness a murder—much less a murder committed by three teenagers covered with strange tattoos and brandishing bizarre weapons. And she’s more than a little startled when the body disappears into thin air. Soon Clary is introduced to the world of the Shadowhunters, a secret cadre of warriors dedicated to driving demons out of our world and back to their own. And Clary is introduced with a vengeance, when her mother disappears and Clary herself is almost killed by a grotesque monster. How could a mere human survive such an attack and kill a demon? The Shadowhunters would like to know…

• Sales Rank: #3698 in Books
• Published on: 2015-09-01
• Released on: 2015-09-01
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.50" w x 5.50" l, .0 pounds
• Binding: Paperback
• 544 pages

From Publishers Weekly
This Buffy-esque YA novel does not translate well to the audio medium, and part of the problem lies in the story's pacing. Teenager Clary discovers she can see supernatural beings that no one else can, gets drawn into the world of the Shadowhunters (teens who kill demons and monsters) and learns that her mother is somehow mysteriously connected to all the strange happenings around her. As a result, a good chunk of the novel consists of long explanatory passages, as various characters fill Clary in on supernatural creatures, the history and rules of the Shadowhunters and her mother's entanglements—all of which come across as tedious lectures. In addition, narrator Graynor makes almost no attempt to differentiate the various teen characters' voices. Only the minor character Dorothea, played as a faux witch with a gravelly New York accent, is memorable. Graynor also frequently ignores the author's explicit textual directives, such as [Simon] came back, sounding worried or The tone of arrogant superiority was back in [Jace's] voice, for her performance, making this a program with an intriguing premise and cast but disappointing execution. Ages 14-up. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 8 Up–When Clary Fray witnesses three tattoo-covered teenagers murder another teen, she is unable to prove the crime because the victim disappears right in front of her eyes, and no one else can see the killers. She learns that the teens are Shadowhunters (humans who hunt and kill demons), and Clary, a mundie (i.e., mundane human), should not be able to see them either. Shortly after this discovery, her mother, Jocelyn, an erstwhile Shadowhunter, is kidnapped. Jocelyn is the only person who knows the whereabouts of The Mortal Cup, a dangerous magical item that turns humans into Shadowhunters. Clary must find the cup and keep it from a renegade sector of Shadowhunters bent on eliminating all nonhumans, including benevolent werewolves and friendly vampires. Amid motorcycles powered by demon energies, a telepathic brotherhood of archivists, and other moments of great urban fantasy, the story gets sidetracked by cutesy touches, like the toasted bat sandwich on the menu of an otherworldly restaurant. The characters are sporadically characterized and tend toward behavior that is both predictable and slightly repellent–Clary finds out who her real father is about 200 pages after readers will have it figured out. Despite the narrative flaws, this version of New York, full of Buffyesque teens who are trying to save the world, is entertaining and will have fantasy readers anxiously awaiting the next book in the series.–Heather M. Campbell, Philip S. Miller Library, Castle Rock, CO
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Funny, dark, and sexy. One of my favorite books." -- Holly Black

"City of Bones has everything: vampires, werewolves, faeries, true love, and stuff that blows up. What's more, Clare's characters are brilliant -- she better not kill any of them off in the next two volumes!" -- Justine Larbalestier, author of Magic or Madness

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1099 of 1302 people found the following review helpful.
Hey Clary, have you ever met Harry?
By dreamsend
This review was written for my blog, so the hyperlinks and strikethrough text got erased when I posted it here, but I think you get the gist.
---
I'm finally getting around to reading Cassandra Clare's City of Bones (first book in the "Mortal Instruments" series) and I have so many conflicted feelings about it, I'm actually having a hard time just reading it. Nevertheless, this post is actually a review of City of Bones. IT HAS SOME SPOILERS. Not that there's much to spoil.

First of all, I've been familiar with Cassandra Clare's work for quite a few years now...of course, what I mean is that like thousands of other people, I knew her from her LOTR and Harry Potter fanfiction days, under the penname "Cassandra Claire." She would probably be the most stellar example of what's known as a BNF, or a Big Name Fan. She wrote the "Very Secret Dairies" for LOTR and the "Draco Trilogy" (Draco Dormiens, Sinister, and Veritas) for Harry Potter. They've been translated into various languages and most likely if you read any Harry Potter fanfiction at all, you've probably heard of Cassandra Clare. Unsurprisingly, there was also some controversy and accusations of plagiarism involved, since she paraphrased or "forgot to cite" a lot of phrases and quotes that she used in her stories, which she'd taken from other famous works/fandoms. You can read all about it at her very own Fanlore page . As I recall, she may or may not have been gifted a laptop by fans when hers was stolen - though this is apparently one of the myths that got deleted off websites like Fanlore.

Anyway, all this is just background context, but it's important context, and you'll see why. So basically after this highly successful fanfiction stint, Cassandra Claire became Cassandra Clare, the best-selling author of the YA "Mortal Instruments" series, which finally brings me back to City of Bones. With that said, City of Bones is more or less the Harry Potter world reimagined, and what I mean by that is that basically almost every single concept and phrase and description in this book seemed oddly familiar... But that's kind of to be expected, since naturally a writer's style can't change overnight. Still.

Here's now the series works. Clary Fray is your normal teenage girl - for about fifty pages, anyway - and basically she starts seeing things that other people can't see. No, it actually isn't a book based off the ever popular faerie mythology. Clary sees three teenagers covered with weird markings kill someone they claim is a demon. Turns out, there's a whole "Shadow world" out there, where there are vampires, werewolves, faeries, and so on. One of those marked teenagers turns out to be a young Shadowhunter named Jace, who happens to have all the same mannerisms and characteristics as Draco Malfoy, especially the Draco Malfoy portrayed the Draco Trilogy. In other words, he's arrogant, wealthy, sarcastic, blond, and he even comes with a back story with some kind of stern father who teaches him that "to love is to destroy." The father spoiled his son with luxuries (they live in the Malfoy - well, a manor - after all) but the father also died. Jace is a Shadowhunter, meaning he's been trained since birth to kill demons and whatnot. A Shadowhunter uses a stele (which is a wand-like object, Clare's description, not mine) to draw runes, i.e. they use this "tool" to do magic. Cool, right?

Okay, Jace is actually pretty appealing (well, why not? He's basically Draco) but the similarities don't stop there. See, about 16 years ago in this magical world, this guy named Lord Voldemort - er, I mean Valentine - decided to get rid of everyone who he felt wasn't pureblooded enough, which in this case means anything nonhuman. There's actually quite a bit of snobbishness going on between the Shadowhunters and the Muggles - er, I mean mundanes - that don't know about this magical world that's hiding in plain sight. Anyway, 16 years ago, "Valentine" failed and everyone thought he and his wife and child died. His supporters, the Circle (okay, fail, Death Eaters sounds so much cooler), either died during the Uprising or turned themselves in and are somewhat co-opted back into the government, but exiled.

Clary, of course, turns out to be mysteriously connected to He Who Shall Not Be Named, who turns out not to be dead. Like you didn't see that one coming. Anyway, Valentine sends demons after Clary and manages to kidnap Clary's mom. Clary's dad conveniently died around the time she was born. Hmmmm. Valentine used to be this popular and handsome Shadowhunter who, you know, didn't start out evil but gradually became obsessed with killing all the Downworlders (those nonhuman, part demon whatevers) and using this thing called the Mortal Cup to create more Shadowhunters from regular humans. Problem is, only like 20% of the converted humans survive, but Valentine's not going to let that stop him. He builds up his followers - the Circle - which basically consists of the parents of all of Clary's new Shadowhunter friends. By the way, the Shadowhunter names are all things like Blackwell, Pangborn, Lightwood, Fairchild. Just so you know. No sense of deja vu, of course.

Also, in a twist you so couldn't see coming, Valentine turns out to be Clary's mom's husband, which makes Clary...right, his daughter. Oh no! To help you (and Clary) keep track of everyone, there's this old picture of the Circle when they were young, y'know that group of friends who were all together...too bad the picture isn't animated, right? Let's keep going though. So V's after the Mortal Cup, which Clary's mom has hidden, so Clary and Jace try to find it while some action and unrequited love pads the story. The relationships are painfully similar to what was in Draco Trilogy, but I guess you can't really plagiarize from yourself. On the romantic front, I won't spoil it completely, but just think Leia and Luke Skywalker. Uh huh, another classic. Jace also has an "I am your father" moment.

All right, all this said, despite all of the above, City of Bones is a pretty good book, in the same way that I thought that the Draco Trilogy was pretty fun to read. Incidentally, the Draco Trilogy can be downloaded as a PDF from a variety of places. Both the Trilogy and this "Mortal Instruments" series have lots of Latin inscriptions, lots of references, and lots of funny moments. It's only irritating because the whole thing constantly makes me think "wow, I've seen this before," to the point that it was really distracting. There wasn't a single part that I felt was all that new, but everything was pretty well done and well written. Clary is almost unbearably a Mary Sue, but I was way more distracted by the shoutouts to Jaida Jones (another famous fanfic writer turned published author, who actually did write a novel I liked, Havemercy) and Holly Black. Regarding the Mary Sue issue, though, can we please get rid of all these fantasy heroines who never seem to realize they're beautiful until their romantic interest tells them? Cliche much and annoying much? Please, you're telling me a 16 year old girl somehow never realized her own level of attractiveness. Really, now.

Unsurprisingly, the "Mortal Instruments" series has been a big hit and might be being made into a film. Lots of people are saying it's the next Harry Potter. In my opinion, it's more like a Harry Potter rehash, but given how much HP has sold, if Cassandra Clare can take even 5% of the market share, that would be a pretty big success. Would I recommend it to others? Hmmm. I think as an avid reader of YA novels, I have far better series to recommend to my friends. You could definitely do worse, but you could also definitely do better. For those who like fantasy and heroic fairy tales, try Kristin Cashore - though her books are very well rounded and definitely deserve all the YA awards they've won, so try her even if you don't usually go for fantasy. For those action-minded, try Suzanne Collins' Hunger Games trilogy or Ann Aguirre's Enclave. If you're looking for a more grown up, but still teenage epic action/romance series with vampires, try Richelle Mead. If you like stories about futuristic technological dystopias, try Scott Westerfeld or Robin Wasserman. Leaning toward epic fantasy or consider yourself a fan of Tamora Pierce? Try Allison Goodman's Eon.

Update: The "MI" series ARE being made into films and the hype is already that it'll be the "next big thing" when Twilight ends. All I can say is, that's almost as predictable as the book.

193 of 236 people found the following review helpful.
City of Bones, Glitter, and Unhealthy Relationships
By Jeronimo
First, a word about the rating. This deserves five stars for understanding its audience and delivering exactly what that audience wants to see. This deserves one star for its execution and style. So I gave it three.

Cassandra Clare understands teenagers. She knows what they want: ordinary heroines with a special destiny, attractive, caustic boys with a burning urge to protect said heroines, love triangles, monsters, magic, and so much more. She gets teenagers in a way that few of her YA compatriots do, and for that she deserves all of her success.

As an author, however, she is middling. City of Bones, her first novel, is embarrassingly purple and overlong. It succeeds in understanding its core demographic, in creating an interesting mythology, and in constructing a couple of very memorable characters (Magnus Bane, etc.) It fails in its language, its style, which careens from painfully hipper-than-thou to melodramatic and back again, and its two leads.

Quick word about the story: this is the tale of sixteen year old Clary Fray, an ordinary girl who one night stumbles upon a group of Shadowhunters, demon killers if you will, as they dispatch a hellspawn. Before long, she and her best friend Simon are on the run with the Shadowhunters, including closeted Alec, haughty Isabelle, and the dreamiest dreamboat snarky angel tortured soul Adonis wot is dreamy, Jace. Clary runs around with these folks looking for her kidnapped mother, discovers a world of supernatural creatures and a surprising heritage she never suspected, and engages in a 'love triangle' that holds no tension because we know whom she'll pick. Though there is a nice twist at the end. More on that later.

The good: I felt like a teenager again while reading this. The overdramatic angst, the wonder, the flush of first love/infatuation, it all came right off the page. And I'm serious, for that Ms. Clare deserves much praise. Also, I enjoy the deep incorporation of everyday Manhattan into the story.

The bad: the logistics of this world make little sense. I have a problem with Urban Fantasy worlds where there are a myriad of strange, immortal, powerful supernatural creatures who hide out from the much weaker humans. It seems like Manhattan alone is teeming with supernaturals, which begs the question: why aren't they running the show? There isn't any reason, really.

I get the feeling that Ms. Clare is a fan of Joss Whedon. I'll tell you why. The hipper-than-thouness I mentioned earlier? That is classic faux-Whedon. The man has pretty much perfected the art of the pop culture quip and savvy snark merging with supernatural banter. But Mr. Whedon is easy to imitate and hard to imitate well. The constant, CONSTANT quips and quirks and snarks will exhaust you after a while. Why don't these people just talk to each other?

And then they do.

The purple prose, good lord, it is so very purple and so very, very melodramatic. Apparently all Shadowhunters come from this place called Idris. I could not figure out 1. if Idris was in another dimension or off the coast of Scotland or something; 2. how everyone got there; 3. why they all apparently dressed and spoke like Shakespeare in the Park, and if moving from Idris to Brooklyn makes for a culture shock. Nobody speaks; they DECLAIM. Especially the villain, who pops in at the tail end with, admittedly, a great plot twist.

The ugly: meet Clary Fray and Jace Wayland. They might call to mind another famous YA couple, Edward Cullen and Bella Swan, except that Edward is more charming than Jace, and Bella has more personality than Clary.

I am not kidding. At. All. For all Edward's stalker creep mode, at least he treated Bella with courtesy (when not treating her like a child). Jace gets points in the 'doesn't keep Clary from her friends' department, but he's rude, inconsiderate, charmless and aggressive for no real reason. And Clary...likes to paint and has red hair. I have never in my life read a heroine who made less of an impact. Even if Bella Swan is warped and twisted and psycho, I REMEMBER her. Sure, Clary is a better, more independent person than Bella and can live her life without a man...mostly. But Clary is a cipher, a paper mask of a human face with the eyes cut out, so that the reader can put the mask on and listen as Jace lovingly berates her.

Love, it is so twu.

I am going to stop this review a moment for a quick chat about this particular couple, and why romances like this and Twilight really irk me.

Ladies, I know we all love a rogue. A madman. Someone self-possessed and witty, someone who wants to verbally spar with us, someone passionate and intense. Mr. Darcy, Heathcliff, Mr. Rochester, Benedick, all those great classic heroes. Except that Mr. Darcy wasn't really a jerk, he was just shy, Heathcliff was a real psychopath, Rochester had...issues, and Benedick was really a nice guy. But I digress.

There's this weird thing going around in some of these YA couplings where abuse and unhealthy obsession are seen as the goal. Maybe Jace isn't a psycho a la Cullen, but he's rude, he's mean, he's not particularly witty or funny or charming (some character calls him 'charming' at some point and all I could think was WHEN?!), he treats people badly for no real reason, he's self-obsessed, and he and Clary 'fall in love' after snarking at each other for forty eight hours. Remember that love triangle? The other contestant is a handsome, good-hearted, funny guy who loves Clary, and has since they were kids. And she treats him like he doesn't exist when the Angel appears.

I know it's the female fantasy to redeem a bad boy/change his world/be wanted by a smoldering, passionate man. But let's switch roles for a second. Our story is about a handsome young man caught between two women. One is a girl he's known forever, his best friend, maybe not the best looker but bright and funny and warm and genuine, who knows him and who loves him for who he is. The other is a supermodel looker who's sooo good at everything, treats him badly, treats his friend TERRIBLY, and makes the boy forget all about his friend after he and the supermodel start making out...in his room, because he forgot his lifelong friend was there. He forgot all about her. Broken-hearted, the smart girl realizes their friendship means little, and the hot mean girl wins the guy because she is hot and mean.

Is this a yummy romance? Or an utter tragedy? Food for thought, that's all I'm saying.

The cool plot twist at the end, that Clary's real father and Jace's real father are the SAME EVIL VILLAIN MAN, MAKING THEM VILLAIN SPAWN AND *BROTHER AND SISTER* definitely puts an interesting spin on the developing relationship. I just hate this kind of romance, folks. I'm not going to go overboard and say things like 'think of the children, the developing female minds, oh no!' You're not going to end up married to an abusive jerk because of this book. And I know that what looks good at sixteen and what looks good ten years on will be vastly different. Cards on the table: I just don't get it. I take it back. I get why, at sixteen, Clary would be into this guy. But the author's presenting him as HER ONE AND ONLY, and that is where I get lost. Inexperienced teenage hormones so rarely lead to the one true love. Really.

And...that's it. If you like this, this is what you will like. It's not terrible. I like some of the world building, some of the characters, the use of Manhattan. It IS a first novel, and I'm sure Clare's style improves. But I don't get how this world really operates, it's too long, and I hate Jace and Clary. I mean, HATE them.

Still, different strokes for different folks. But the next time you pick up a delicious romance with a girl choosing between a hot jerk and a kind guy, and you're going for the jerk...switch the genders for a minute. See if it still holds the same oomf. I'm just saying.

580 of 734 people found the following review helpful.
It's like watching an overly-expository trainwreck, only more boring.
By M.
In an underage Goth club where kids openly are handing out pills without fear of conveniently missing bouncers, the "shy" fifteen-year-old NYC native Clary charges unarmed and alone into a confrontation where strangers with knives are trying to kill each other, where she intends to stop them by talking them down. Some may call this suicidal; the reader is supposed to see it as heroic. This scene is exemplary of what you're getting into if you pick this book up.

This isn't Clary's first stupid action: she makes a habit of putting herself in harm's way by doing things she has little or no reason to, especially when there's others around telling her to stop. Other characters also do unreasonable things, if only to further the plot. A character is caught hiding in someone's bushes because he decided THEY were suspicious while he was sneaking around their house, but never gives a reason for his initial trespassing. He later drinks a magical potion with unknown effects for no good reason whatsoever, despite having someone who'd know better at his side telling him not to.

The book has no sense of continuity. Characters' eye colors, voices, abilities, and builds change, sometimes within paragraphs of their initial descriptions. (Clary's mother goes from "compact" to "tall and willowy" in paragraphs on page 24; Madame Dorothea's voice goes from familiarly "shrill" to familiarly "gravelly" on page 95; Alec's eyes go from blue to black and back again throughout the course of the book; Isabelle's skin is as "unblemished as the surface of a bowl of cream" on page 58, but all Shadowhunters are later described as covered in scars from their Marks.) A character puts himself and his love interest in mortal danger without hesitation, but later blames his poor performance in a fight on his worry for her. A fire hot enough to melt metal and turn bricks to ash (bricks melt at about three thousand degrees and don't contain enough organic material to burn to ash) doesn't reduce any bones - even an infant's bones - to ash, and manages to leave cloth fragments behind as well. Clary can do magic with runes that she literally should not be able to know, and Simon is able to see a magical glow to things and the invisible Shadowhunters even though he's supposed to be a magicless human.

A good editor would pick these problems out - but unfortunately, upon comparison with the "uncorrected proofs" of the Advance Reader Copy, it seems that the most basic problems haven't even been touched. For example, screaming characters still switch indiscriminately between italics and ALL CAPS, and the missing quotation mark from page 449 of the ARC is still missing on page 452 of the hardcover. Other words and descriptions still stand out as extremely out of place. Horses "snarl." Arrows make "hot buzzing sounds, like a huge bumblebee." Octopuses have "tendrils" instead of tentacles, and antifreeze and spring grass are somehow the same color. Another world's sun is described as hanging "limp in the sky like a burned cinder" - I don't even know where to start with that one. Water is described as being "the color of lead, churned to a whipped cream consistency." What feels like whipped cream again - the water, or the lead? And how would that even work?

Also, very few things in the work hail as original. Clary Fray (not Whedon's Slayer Melaka Fray) goes to Pandemonium (not The Bronze from Buffyverse), sees something she shouldn't, and is taken in by the Shadowhunters (not Dark-hunters), who call normal humans "mundanes" or "mundies" (from the set-in-NYC-comic Fables) and who power up and do magic by carving or drawing runes on themselves or other objects, just like in Weis and Hickman's Death Gate Cycle. They do this with a particular wand/knife hybrid called a "stele" - which, unlike the Stiehl of Terry Brooks's Shannara series, is a real word...for a headstone. The secret group of Shadowhunters is trying to rescue a magical relic before the big bad guy Valentine (whose past is Voldemort's, only without any character depth whatsoever) gets it, a plot that's been done completely to death. Finally, the "twist" of this book comes straight out of Star Wars and is guessable from chapter two.

The characters are also terribly flat, cliché, and inconsistent. Clary is "shy" but slaps people she barely knows; she's "clumsy" but the reader never sees her act that way. Jace is the stereotypical snugglebug in a jerk suit, straight out of a bad romance novel and so blindingly beautiful that absolutely everyone must comment on it. It frequently seems that cast of characters doesn't have personalities; only unbelievable dialogue, redundant and clunky metaphors, and little tics that are supposed to identify them.

Granted, there are some hilarious parts. Clary's makeover sends her out on the streets of New York City in a shirt (worn as a dress) that barely covers her rear, with high-heeled boots, fishnet stockings, lots of makeup, and no bra. Then she fights vampires while dressed like this. Later on, no one can figure out why her mother's won't come out of a coma.

(I'm not sure if those two events are related, but I'd like to think they are.)

The sheer number of errors, derivative ideas, and pages of copy & pasted fanfic bits is hideously sloppy and exemplary of lazy writing and lazier editing. It's as if no one cared to check things over before putting the book on the shelves. It's insulting to the reader to not try to fix any of these problems, and then to expect the consumer to shell out their money for something that isn't new, isn't different, isn't even coherent, and frankly just isn't very good. Don't waste your money on it.

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Gear Cutting on the Lathe is a practical book which does not go into the complexities of design but simply describes how to cut gears suitable for clock making and repair and also how to make the tools and fixtures that are needed to carry out the tasks.

• Sales Rank: #3049180 in Books
• Published on: 2015-09-11
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .24" w x 6.00" l, .24 pounds
• Binding: Paperback
• 106 pages

From the Author
Gear cutting on the lathe' is mainly intended for clock makers but will also be of interest model makers. It was written as a companion th 'The Penman long case movement' for the simple reason that gears are needed in the movement and it was possible that clock makers intending to make the movement might have no experience of making either wheels or pinions

About the Author
Laurie Penman is an internationally recognised author and clock maker who came to clock making after twenty years in engineering design and management. He lives in Worcestershire with his wife - and is quite a long way from their children, grandchildren and great grandchildren. Gear Cutting on the Lathe is intended to enable the clock maker to design and make the gears needed in a clock movement. That alone is not a lot of help without information on tool making, machine tool practice and techniques, all of which appear in this book.

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0 of 0 people found the following review helpful.
Great author, great book
By Deloid
Great author, great book. Must see all of his written work to understand the basic approach to clock repair and in this...gear cutting.

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• Sales Rank: #21481 in Books
• Published on: 2015-09-05
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .77" w x 8.50" l, 1.74 pounds
• Binding: Paperback
• 338 pages

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3 of 3 people found the following review helpful.
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3 of 3 people found the following review helpful.
GREAT RESOURCE!
By KidLitReader
We bought this book because it looked like it had the most practice for the upper level ISEE, and it did not disappoint! There was so much reading and math practice we didn't even have enough time to get through it all (we only bought the book one month before the test). The math was incredibly thorough, and the reading was quite difficult for my son at first, but the practice really helped him improve his skills. My son ended up doing way better on the test that we expected and got into our first choice school, so no complaints here!

1 of 1 people found the following review helpful.
Helped my son do well in the ISEE test!
By Joanne Clark
This book really helped my son to prepare for the ISEE test. We are from the UK and were completely unaware of this test and its contents, so this book played an invaluable part in helping to prepare him. He did really well in the end, so we were pleased he was so well prepared. The Tutorverse are great too - I can thoroughly recommend them.

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This textbook is designed for anyone who wishes to learn the art of audio recording. It was written for high school students as a companion to music technology classes. This text includes a full curriculum as well as review worksheets, activities, pictures, and tutorials for every topic. You can use it for self study or as a class textbook. Although the writing style is simple, the content is robust. The book covers the physics of sound, electronics as it relates to live sound reinforcement, microphones, cables, sound boards, digital electronics, and signal processing. This is a great resource for anyone wishing to brush up on their audio engineering skills, or anyone who wishes to teach audio production but doesn't have a background in recording!

• Sales Rank: #900825 in eBooks
• Published on: 2015-09-09
• Released on: 2015-09-09
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
Thorough, concise summary of the recording arts that is interesting and easy to understand.
By apaull
While trying to learn how to operate the sound board at my church, I found this book extremely helpful and interesting. I started reading it and couldn't put it down until the very end. Not only did it explain the history of recording, but it also explained in simple terms the physics of sound as well as the physiology of the ear and hearing. It contained many practical applications on how to create a better acoustic experience, such as how to place the monitors correctly and how to avoid sound distortions. I am very impressed with how this book covers all aspects of sound recording. I highly recommend this book to musicians, recording artists, sound board engineers, and anyone working in the recording arts industry.

0 of 0 people found the following review helpful.
Five Stars
By Alexandra
Spectacular!

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• Sales Rank: #443985 in eBooks
• Published on: 2015-09-06
• Released on: 2015-09-06
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
I only need the yacht.
By Jennifer Lara
Sailing is not just hop on a boat and start the engine, it is much more complex and many accidents can happen if you do not know how to do it. This guide has been very useful, I loved the detail of writing the history of navigation and of course all the factors to consider when boarding a boat or yacht. This book also teach us a lot (my husband and i) it gave me the reason because I was sure that was not so easy to navigate. You must be careful, know about yout boat and respect the sea. I loved!

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The author of this book, Ernst A. Lehmann, was close to the Zeppelin story from its early days and had great faith in the ever increasing success of the Zeppelin on international routes. It is sadly ironic that this talented man and strong advocate of the Zeppelin should die in Hindenburg disaster shortly after he had produced the draft for this book. He died following the fire that destroyed the Hindenburg on 6 May 1937; he survived the fire itself but was badly burned and died the following day. Lehmann was a Zeppelin commander during the First World War bombing England on numerous occasions, and even met some of the supreme German commanders such as General Erich Ludendorff. He was well acquainted with Count Zeppelin and all of the designers and management of the Zeppelin Company. After the war he worked for the Zeppelin Company under Hugo Eckener, who took over the management following Count Zeppelin's death in 1917. Lehmann was closely involved in the voyages of the Graf Zeppelin, including the famous round the world voyage, and pioneered services to the Unites States and the regular service to South America. Lehmann makes his Nazi sympathies quite clear, but tactfully does not touch upon his differences with Hugo Eckener regarding the use of the airships for Nazi electioneering-for Eckener was strongly against it. Nor does he touch upon Göring's maneuvering which broke up the Zeppelin Company, thereby leaving Eckener as an outsider. He believes in the superiority of German engineering and beyond that the superiority of everything German. Lehmann served as commanding officer on more than 100 of the flights of the Graf Zeppelin between 1928 and 1936. In 1935, when Hermann Göring created the Deutsche Zeppelin Reederei to increase Nazi influence over Zeppelin operations, Captain Lehmann was named director of the new airline. In 1936, he commanded 10 round-trip flights to Lakehurst on the new Hindenburg. The text is well-written, approachable, and provides a comprehensive account of the Zeppelin story until the 1937 disaster which cost the author his life.

• Sales Rank: #558418 in Books
• Published on: 2015-09-11
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x 1.20" w x 6.10" l, 2.00 pounds
• Binding: Hardcover
• 352 pages

About the Author
Ernst August Lehmann (1886-1937) was a First World War Zeppelin commander and then went on to become the most senior captain in the Zeppelin Company and made more than 100 of the flights of the Graf Zeppelin between 1928 and 1936. He was one of the most famous and experienced figures in German airship travel. The Pittsburgh Press called Lehmann the best airship pilot in the world. He wrote this book shortly before his death in the Hindenburg disaster. Ian Castle is an expert on Zeppelins and author of two books on the topic: London 1914-17: The Zeppelin Menace, 2008; The Zeppelin Base Raids-Germany 1914, 2011.

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0 of 0 people found the following review helpful.
Looking for information on airships (zeplins) don't miss this book.
By Amazon Customer
Love this book, glad the original writing of Captain Ernst Lehmann was finally reprinted and had additional information added. I read the first edition with only the Captain's story. While I was reading it, it seemed like the Captain was actually talking to me. Too bad he was killed in the Hindenburg disaster. I am sure he could have written some more interesting books. He also was a cousin of my grandfather so that made it even more special.

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